Skip to main content

Top 10 Films of 2016

It's that time of year again so here are my favourite films seen in the cinema this calendar year:




Julieta : the latest Almodovar is stunning and intensely moving. If this tale of a lost daughter is inspired by the myth of Demeter and Persephone, you can see the pomegranate seeds of guilt and loss in each generation.




Embrace of the Serpent : I can report that my serpent was, so to speak, fully embraced. Bracing, evocative, heart rending, psychedelic and beautifully photographed and directed.




Arrival : It was remarkably  emotional watching a film about the empathy of the alien in a dark and depressing week in which a narcissistic sociopath was elected to be the next President of the US. Forget the plot holes, this is a tour de force; Amy Adams is stupendous and the film gives us a faint glimmer of hope for humanity.




Manchester By The Sea (which hasn't opened in the UK yet) : the third great film by Kenneth Lonergan (after You Can Count On Me and Margaret - the latter probably one of my all time favourite films). A study of misery and guilt which packs a huge emotional punch.




Paterson : 'A bus driver who likes Emily Dickinson. Cool.' The quiet poetry in the everyday. Even more amazing, the usually monumentally annoying Adam Driver is absolutely brilliant in this wonderfully understated film.




Victoria : One of the most heart-poundingly intense films I've ever seen and one that reinforces the old adage that you should never underestimate someone who can play a note perfect version of the Mephisto Waltz at 5 in the morning after a night out clubbing.



Summertime : I really loved this: the dynamics that are explored in terms of gender, class, urban and rural culture, sexual orientation and age are familiar but this is a very engaging treatment with stellar acting all round. It's heart warming and heart breaking in the best manner.




Tale of Tales : Wonderfully realised. These are folk tales 'curated' in the early17th century with all of the weird, unsettling, shape shifting quality of a different time, their own often violent logic and delight in grotesques, a focus on bringing into the light things that lurk in the dark both of the imagination and human conduct. As with most fairy tales and folk tales they are deeply psychological. I loved it.




Things To Come : another Isabelle Hupert acting masterclass. It's never too early, or too late, for philosophy. The director Mia Hansen-Love bang back on form after the disappointment (to my mind) of 'Eden'.



Mustang : it may have elements of a fairy story but it is also bitingly realist in tone and completely absorbing.


Bubbling under the top 10 were:

Childhood of a Leader

A Bigger Splash

Baden Baden







Comments

Popular posts from this blog

Best Films of 2024

  My Letterboxd account confidently provided a detailed thematic breakdown of the 225 films viewed this year: Quite what to make of this is somewhat less clear. Either I broke the algorithm or my ideal film is a low key, droll, genre hopping, weird, relationship drama with philosophical pretensions. Which might actually stand as a description of my favourite film of the year.  Certainly, on review, 2024 turns out, slightly surprisingly, to have been a strong year. So even before reaching the top 10 there are another ten films very worthy of note: On Becoming A Guinea Fowl   The Dead Don't Hurt   Green Border    The Outrun   Good One Showing Up   The Holdovers   Femme   The Settlers   Blackbird, Blackbird, Blackberry   Then the top ten in traditional reverse order: 10.  Janet Planet  Wonderfully understated, subtle examination of our perception of connection to others seen most profoundly in the determination of a teen...

Anni Albers: Sculpting With Thread

Wandering around this kaleidoscopic  exhibition  at the Tate put me in mind of so many other artists that I began to wonder whether Albers was a conduit for their influence or whether I was simply engaged in a procession of imagined serendipity. It may seem strange to begin with a sculptor given that Albers primarily worked with textiles but I was constantly reminded of Brancusi. The wonder of Brancusi is that he aims to reveal and develop the inherent nature of the material whether stone, wood or metal. The form that he finds is therefore perfectly suited to the stuff with which he is working. What is striking with Albers is that she does exactly this with the techniques applied to different types of material. Development In Rose (one of my favourite pieces in the exhibition) is made from linen and the impurities and imperfections in the thread are used in essence as highlights. The slightly muted colour also captures the often slightly faded nature of t...

Pourquoi J'Aime 'Les Amants'

It has Jeanne Moreau. It has the most exquisite andante from Brahms String Sextet. It has extended sequences that involve both Jeanne Moreau and the (exquisite) andante from Brahms string sextet. It  is directed by one of the most fabulous French film makers, Louis Malle, and probably ranks alongside Smiles Of A Summer Night as amongst the most swooning meditations on romantic love (albeit on this occasion without Russian roulette). Did I mention, it has Jeanne Moreau. It has a sequence in which a very a la mode Parisienne wakes up with a groomed daschund already in the crook of her arm. It has the most extraordinary sequence of laughter in any film in which the laughter is both such a release and a realisation of how much laughter has simply been missing for so long that it is delirious and painful in equal measure. It is a beautifully observed portrait of Paris and the provinces with all the droll superficiality that implies. But above all it is the utte...