Museum Hours

It has Jeanne Moreau. It has the most exquisite andante from Brahms String Sextet. It has extended sequences that involve both Jeanne Moreau and the (exquisite) andante from Brahms string sextet. It  is directed by one of the most fabulous French film makers, Louis Malle, and probably ranks alongside Smiles Of A Summer Night as amongst the most swooning meditations on romantic love (albeit on this occasion without Russian roulette). Did I mention, it has Jeanne Moreau. It has a sequence in which a very a la mode Parisienne wakes up with a groomed daschund already in the crook of her arm. It has the most extraordinary sequence of laughter in any film in which the laughter is both such a release and a realisation of how much laughter has simply been missing for so long that it is delirious and painful in equal measure. It is a beautifully observed portrait of Paris and the provinces with all the droll superficiality that implies. But above all it is the utterly